WebScreens of Terror: Representations of War and Terrorism in Film and Television Since 9/11. Phil Hammond. Arima Pub., 2011 - September 11 Terrorist Attacks, 2001 - 340 pages. 0 … Web30 apr. 2024 · This, and other such films, have developed expressive rhetorical tactics such as hope, guilt, compassion and nostalgia to enable spectator engagement, which coincides with ‘an increase in emotional expression … evident in politics and a number of media formats that foreground the human as an individual, emotional subject’ (Hammond and …
Screening for Meaning: Terrorism as the product of a
WebDer Beitrag von Philip Hammond und Hugh Ortega Breton diskutiert das populärkulturelle Phänomen einer sogenannten Öko-Apokalypse. Die Autoren hinterfragen, wie der Umwelt-Diskurs und die Po‐ pulärkultur Gruppen repräsentieren und wie Eliten eine Öko-Apokalypse im politischen Diskurs instru‐ mentalisieren. Žižek Web6 jul. 2007 · Hugh Ortega Breton Roehampton University Jonathan Jones is absolutely right in his recognition of Banksy's "work" as being largely unsubtle GCSE-level humour. … icarus too dark at night
Karen A. Ritzenhoff/Angela Krewani (Hg.): The Apocalypse in Film ...
WebHugh Ortega Breton This discussant piece introduces and explains a psycho-cultural approach to understanding the emotional dimensions of radio listening and creative production. It then explores... WebPhilip Hammond Hugh Ortega Breton in Culture, Communication & Critique 2014 This article examines the emotional rhetorical strategies of 3 films—The Day After Tomorrow … WebSee more of Dough-Re-Me on Facebook. Log In. or money clicker game on scratch